Friday, May 6, 2011
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Wednesday, May 4, 2011
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Today at 15 pm in the Faculty of Arts at the Theatre of the Faculty of Arts.
Tuesday, May 3, 2011
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continuing education course No. 22-2010.
"The institutionalization of Fine Arts from 1985 to date."
Coordinator: Prof. Julia Maria Pinto.
Registration: 27 / 4 to 11 / 5
Date: 16 / 5 to 31 / 5
Course continuing education No. 21 - 2010.
Dictatorship and development in the plastic arts; between 1973 and 1985. "
Coordinator: Prof. Julia Maria Pinto.
Registration: 16 / 5 to 31 / 5
Date: 6 / 6 to 20 / 6
continuing education course No. 14/2011:
"Visual arts and contemporary ceramics, I."
Critical analysis of international contemporary ceramic production and its link with paint and sculpture. Study of possible aesthetic connections that pottery production in Uruguay.
Coordinator: Prof. Javier Alonso
Registration: 6 to 20 June.
Date: June 21 to July 20.
* Entries in the IENBA Bedelia, Marti 3328 15 to 19 hours. Submit certificate of higher education or tertiary.
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Ubuntu Release Party 11.04 Narwhal Natty
Ubuntu is a Linux distribution that provides an updated and stable operating system for the average user, with a strong focus on ease use and installation. Both Ubuntu and the applications that comprise it are distributed under a free license or open source.
Following his semi-annual release cycle, the Ubuntu community Uruguay celebrated this May 7, at the Extension Culture, the launch of Ubuntu 11.04 (whose name ID is Natty Narwhal, or English Elegant narwhal, an Arctic whale with a horn).
This event is held internationally. In different cities of the world, communities of users of Ubuntu (or as they are called crazy, or Local Comunity) meet launch day or days to celebrate the launch of a new version of the free operating system.
In this case, in Uruguay, the local community is organizing a series of lectures, demonstrations and installations of the new version.
The talks will be on various topics, including improvements in the new version, Internet use with the system and how to join the community.
The event will be held on Saturday May 7, 2011 in Culture Extension, Avda July 18, 1877, from 14 to 18 hours, free and suitable for all ages.
More information: http://www.ubuntu.org.uy
Or mail consejo@ubuntu.org.uy
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CRUCES -
INTERNATIONAL ART WORKSHOP
5 to 22 of May 2011 of
awarded the grant fund for culture-mec / e-paula thin
AGENDA:
Saturday 7 : 17hs presentation of work of participating artists (MAPI)
Tuesday 10: 19:30 pm Thenjiwe Nkosi (SA) / Talk: Collaborative Practice in displaced communities (MAPI)
Wednesday 11: 19 : 30HS projection of videos of South African artists (MAPI)
Thursday 12: 19:30 pm Iara Freiberg (BR). Talk: Young contemporary Brazilian artists (MAPI)
Friday 13: 19:30 pm Umpi Dani and Adrian Soiza (MAPI)
14 to 17: Workshops in Fray Bentos
Saturday 21: from 12am. Workshop open talks of closure (MAPI)
PARTICIPATING ARTISTS
South Africa: Nkosi Thenji , Mautloa Pat, Tracey Rose, Diana Hyslop.
Brazil : Iara Freiberg
of Argentina : Leopoldo Estol
of Uruguay: Adela Casacuberta, Alejandro Cruz, Andrew Santangelo,
Cecilia Mattos, Enrique Badaro, Tomsich Francisco, Manuel Rodriguez, Veronica Cordeiro
Thursday, April 28, 2011
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Heinz-Norbert Jocks
May 4 to May 6, 2011
National Museum of Visual Arts
National School of Fine Arts, Goethe-Institut
24,193,499
The conference is organized within the framework of the "Art and Criticism" which aims to reflect on the critical role of society and the search for new perspectives and trends of contemporary criticism.
Heinz-Norbert Jocks studied history, philosophy, philology teaching German in Düsseldorf, Germany. Works as a teacher in various German universities, is editor of the magazine "Kunstforum International" in which also publishes critical. Jocks is the author of several books like "The End of Photography" and "Artists in China." Lives and works in Paris and Düsseldorf.
Wednesday, May 4, 2011
| Time ............ Activity | ............................. Place | .............. 15:00 to 16:30 |
| Art and Criticism in Today's Society | ENBA | |
| 19:00 | Art as mediator between life and world | MNAV |
| Time ............ Activity | ........................... Place | .............. 15:30 to 16:30 |
| Models for formation of art critics | ENBA | |
| 18:00 to 21:00 | methods of current art criticism | Goethe-Institut
| Time ............ Activity | ........................... Place | .............. 18:00 to 21:00 |
| methods of contemporary art criticism | Goethe-Institut
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needed to keep a good part of the body so that each morning to re-form, we must also keep small supplies of significance and interpretation, even to oppose them to their own system when circumstances demand it, when things, people and even situations, force you to it , and must be preserved small amount of subjectivity, just enough to respond to the dominant reality.
This new work is inspired by the text How to become a body without organs of Deleuze and Guattari. The plane of consistency as a program to break the layers of organization, meaning and significance. Start the body of the organism to open connections involving an entire assemblage, circuits, conjunctions, levels and thresholds, passages and distributions of intensity, territories and deterritorializations. The significance is attached to both the soul and body to body. Start the consciousness of the subject to make it a means of exploration, start the unconscious significance and interpretation to make it a true production.
This creation is a co-production Mexico-Uruguay. A work created for the Mexican company consisting makina dT dancers and musicians, Diana Bayardo, Gervasio Cetto, Manuel Estrella and Elias Puc, directed by Tamara Cubas and musical assistance of Francisco Lapetina sound. The work has created out in our country in an intensive process that precedes their debut in the room Zavala Muniz. Then the same company Yucatan on his return to Mexico, presented at various venues around the country.
The members of this young company in the city of Merida, Yucatan, are particularly interest in experimentation between body and sound in the scene, hence the integration thereof. In this work these aspects merge live on stage to open an experimental space to the viewer.
Functions: 27 and April 28, 1921 hs. Zavala Muniz Hall, Teatro Solis
Concept and direction: Tamara Cubas
creation and interpretation: Diana Bayardo, Gervacio Cetto, Manuel Estrella and Elias Puc. Assistance
Music and sound: Francisco Lapetina
Lighting Design: Leticia Skrycky
Tickets for sale in Red UTS
expand information on the work
Plan Consistency with the support of the Department of Dance of Mexico and the Yucatan Cultural Institute.
Tuesday, April 26, 2011
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ROUND OF POETS
*
sixth season readings, performances and recitals.
La Ronda Café, Citadel 1182 esq. maldondado.
THURSDAY / 21 - 24 HS.
this week: GUSTAVO GOMEZ, AGUSTIN LUCAS, NICO GUAZZONE
the poster did * nacho
SEIMANAS
GUSTAVO GOMEZ (montevideo, 1960)
NUMEN
I
Mar painter cool square. Mirror
memory (pot fragile
crowded between taverns).
water bodies: Purgatory. Drown
appeal, "old print?
II
Alchemy accomplice circumvents peat. Master
flamenco (small room) predicts
Watteau. Shake
stroke, smoke impossible.
Gen III
capricious, chance. End;
broken mirror, tempt mystery
rebuild a mirror. AGUSTIN
LUCAS (Montevideo, 1985)
common
wild (and urban), publishes "Not all fingers are grasping" (Pirates Publishing 2007), product of an excess of imagination strengthened in central windows of cafes, and subsided in 180 ramshackle way home. In 2009 leads "restless wanderer" Acuarela de Melo Radio City, which also involved with his poetry and his followers, among other things, the bus station and La Higuera de Juana. In 2010 Pisa Guatemala where rewrites his first book (to be published also in Mexico), Ati Book editions, Panajachel, Solola. Recently published "CLUB", by publisher YAUGURU, with photographs by Maria Noel Langone.
Excerpt from General without flowers "from the book" CLUB "
" Passerby walks, go, go, transient traded, sold, leaves, bell transient, transient delirium, stops, turns, goes, is transient, build, transient steals, he goes, creates transient, crying, cheating, passer loses, he wins, he will. General
Flores walked is resting, and further quieted the furniture and prices, and cooled further beds, seats, and lowered the stresses of holiday lights after seductive glass, tinkling, dry and free game Chinese shadows. "
NICO GUAZZONE
h (eu) 2006
storia montevideo, uy
rising crime crisis
2002
political right
TV
mass manipulation (eu)
when they stole my home in 2006, the few things I had and I had a difficult time together, my records, instruments and everything I loved, instead of going to blame and fall into a common place, TV, eleji MUTE respond with a song (the chamarrita of theft), which raises these questions: how to do this between us? How do we fix this between us?
the poster did * nacho
SEIMANAS
http://nachoseimanas.net
***************************** **************
coordinates: Martin BAREA MATTOS
www.youtube.com / bareamattos
sound: Fabrizio Rossi
supports: cultural Pence
www.cooltivarte.com
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Santiago Velazco: Hell Of Fame
Montevideo, 1976
April 30, 2011, 12:30 hs.
to June 19, 2011.
Hell of fame is presented as a diffuse medium where looks are intertwined. Perspectives on the immediate environment but somehow reveal the inner eye. Velazco externalized the internal world of each character, causing fictionalized truths as a result of the accumulation of personal experiences. An imaginary meeting between himself and the iconic figure who is watching. Each piece works itself and gain strength together with the presence of dark bodies in scale accompanied by clouds of thought that, at times, create distortions in our reality. This time there are six icons that accompany us on a visit to Hell of fame, but it's only a matter of time before new members join on this journey of transfiguration.
Ana Ines Maiorano Marton.
Curator.
The Creative Universe
PasionariaReconquista MVD 587 / Tel: (+598) 2915 68 52
Tuesday, April 12, 2011
How Long Can Trichomoniasis Last
activity are invited Outdoor cinema organized by the Dance Workshop (TZ), the Industrial Design Centre (CDI) and the Contemporary Art Space (EAC). Will be Tuesday April 12th at 19:30 at the Contemporary Art Space, Arenal Grande 1930. be issued The man next door , a film that tells a dispute between neighbors in Curuchet House, by Le Corbusier in La Plata, Argentina.
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ROUND OF POETS
*
sixth season
readings, performances and recitals.
La Ronda Café, Citadel 1182 esq. maldondado.
THURSDAY / 21 - 24 HS.
this week: SANDRA MIGUEZ, Ma and VICTORIA GUTIERREZ LAURA PINTO
the poster did * jacqueline LACASA
SANDRA MIGUEZ (Montevideo, 1977)
The dawn
narrowed the sun
butterfly
to view
have to take a magnifying glass or die
dripping clocks
holding the bones
about to order the guillotine
narrowed the sun
butterfly , now it
in the palm of the hand
in boxes collecting
suicide off the tunnels
time they charge me for your life and payment
silence
Ma LAURA PINTO
"... I was born and I can confirm every morning when I woke up. I grew up or rather was adding years to the ones that I have now. Not a few or many, I have. Meanwhile I set to give birth to two beautiful children, write stories in a book that few libraries have the folly of selling and planting more trees. Concentra my best to walk this path width and length of words as a child: innocent, fearless and awe. Most of the time may not succeed, but I try. I firmly believe that once written word is not mine, belongs to everyone and anyone. And that poetry is the journey not the destination. And those who walk with me. "
INDEC
"Do not call things by their names" (A. Pizarnik)
not say I love you but I need
I need air
I can not in my body
not find solace in the night I do not want
dawn.
not say it is impossible but that you are cowardly
and I am proud we do not want to hurt
maybe someday
may never, perhaps.
not say goodbye until
alwaysup
day from again until
until we were older until we
children.
Tensar waiting to limit
die we die in agony
not to name things by their names.
VICTORIA GUTIERREZ
http://www.youtube.com/watch?v=acjySbXbqLc
the poster did * jacqueline LACASA
"The Captive of good star "Jacqueline Lacasa.
photographic record, Adolfo Sarmiento.
Chart, Alejandro Albertti.
JL, an artist and curator.
was director of the National Museum of Visual Arts between 2006 and 2008.
* ******************************************
coordinates: Martin BAREA MATTOS
Sound
Fabrizio Rossi supports
: Pence
culturalMonday, April 11, 2011
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Wednesday, 13 April
SOA ART CAFE
Alberto Lastreto Chat
THE STRANGER IN CONTEMPORARY ART
considerations on contemporary art from artistic practice. What do we mean by contemporary art? "As we face the same?. in the photo's skull Diego Focaccia and Damian Hirst.
RSVP artcafe@soa.com.uy
TEL: 2410 9763
2046 Constituent Blanes corner.
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Tuesday 12 April at 19:00
CULTURAL CENTER OF SPAIN
TISCORNIA ANA Conference
presentation of his recent curatorial project of historical memory "The war we have not seen" held at the Museum of Modern Art Bogota, Colombia. Gather the experiences of 35 former guerrillas, former paramilitaries and soldiers wounded in combat to life through their own artistic expression.
www.laguerraquenohemosvisto.com
corner corner Bartolomé Mitre 629
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Monday April 11, 2011 at 19:00
Cultural Space of Mexico
MEETING OF MEXICO WITH JAVIER HINOJOSA
The Embassy of Mexico in Uruguay and the Center for Photography invites you to participate in the talk with the photographer Javier Hinojosa on Monday April 11 at 19 pm in the Cultural Space of Mexico (25 May 514) as part of the sample stations set out in the same space. Organizers: Embassy of Mexico and CMDF.
photographic production Hinojosa has focused over the past 30 years in the archaeological record and protected natural areas of Mexico. The quality and seriousness of their work have become a key author in his field in the Latin American community. Javier Hinojosa speaks from the silence, willfully ignores the words to generate dialogue and reflection. It focuses on the properties of photography to convey to the viewer and make him share in his particular journey. The technical management is at all times the service of speech. High photo contrast, compositions studied and
print especially careful, get to stop production and reflexionar.En us a moment in which contemporary communication is synonymous with aggression and everything is permeated by advertisements, Hinojosa intentionally departs of the aesthetics and proposes the opposite: that we stop and appreciate in detail the magnificence of nature and its fragility.
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Thursday 14 April at 19:00
NATIONAL MUSEUM OF VISUAL ARTS
Opening Exhibition "Anacúmene" of
Alejandro Turell
Curator: Enrique Aguerre
"anecúmene is known as the land areas that were once ignored by a culture or, at present, where Man does not live permanently or procreate ... "Uruguay: Galapagos Art?. From the" land "come possible metaphors and simulations that challenge our system of symbolic coding and identity. From small private collections arranged in chambers of wonders to the complexity of the current museum. " Alejandro Turell (1975, Montevideo) studied at the Taller de Javier Nieves (1996-98) drawing and sculpture. In Workshop Lara (1998-01), drawing, painting and engraving. Mr. "Arts-Visual Arts, IENBA, where he also served UDELAR their teaching. He is currently Professor of Visual Communication at the School of Dramatic Art Montevideana, EMAD, IMM has participated in numerous solo and group exhibitions from 1997 to date in Argentina, Germany, USA, Uruguay and Poland. Received awards for his work in the 49 th Salon of Visual Arts, 2 nd Prize, MEC (2001), and 1 second prize in the 50 th National Exhibition of Visual Arts, MEC (2002), among others. In 2005 he was invited by the chair of Latin American Art at UCLA, USA. Get the DAAD Scholarship in 2008 where he teaches at the JW Goethe University in Frankfurt am Main, Germany. In 2010 he was part of Uruguay to send the Second Mediations Biennale, Poznan, Poland. Lives and works in Montevideo where generated projects involving art, science and Nature.