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First Jocks activity in Montevideo

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Heinz-Norbert Jocks in Montevideo: Art and Criticism

Heinz-Norbert Jocks

Art Criticism Conference Discussion
May 4 to May 6, 2011
National Museum of Visual Arts
National School of Fine Arts, Goethe-Institut

24,193,499

inquiries: cultura@montevideo.goethe.org

Conference and discussion with critical German art Heinz-Norbert Jocks in MNAV.

The conference is organized within the framework of the "Art and Criticism" which aims to reflect on the critical role of society and the search for new perspectives and trends of contemporary criticism.

Heinz-Norbert Jocks will present his work as a journalist in the art magazine "Kunstforum International, which is also editor, and will highlight their work in the last four years devoted among other things to" Collectibles: between passion and power "and" The art world Pekingese. "

Heinz-Norbert Jocks studied history, philosophy, philology teaching German in Düsseldorf, Germany. Works as a teacher in various German universities, is editor of the magazine "Kunstforum International" in which also publishes critical. Jocks is the author of several books like "The End of Photography" and "Artists in China." Lives and works in Paris and Düsseldorf.

Program:
Wednesday, May 4, 2011

Time ............ Activity	............................. Place	.............. 15:00 to 16:30
	Art and Criticism in Today's Society	ENBA
19:00	Art as mediator between life and world	MNAV

Thursday, May 5, 2011
Goethe-Institut

Time ............ Activity	........................... Place	.............. 15:30 to 16:30
	Models for formation of art critics	ENBA
18:00 to 21:00	methods of current art criticism

Friday, May 6, 2011
Goethe-Institut

Time ............ Activity	........................... Place	.............. 18:00 to 21:00
	methods of contemporary art criticism

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CONSISTENCY Plan / Stage Works / Release 27 and April 28 poets

needed to keep a good part of the body so that each morning to re-form, we must also keep small supplies of significance and interpretation, even to oppose them to their own system when circumstances demand it, when things, people and even situations, force you to it , and must be preserved small amount of subjectivity, just enough to respond to the dominant reality.

This new work is inspired by the text How to become a body without organs of Deleuze and Guattari. The plane of consistency as a program to break the layers of organization, meaning and significance. Start the body of the organism to open connections involving an entire assemblage, circuits, conjunctions, levels and thresholds, passages and distributions of intensity, territories and deterritorializations. The significance is attached to both the soul and body to body. Start the consciousness of the subject to make it a means of exploration, start the unconscious significance and interpretation to make it a true production.

This creation is a co-production Mexico-Uruguay. A work created for the Mexican company consisting makina dT dancers and musicians, Diana Bayardo, Gervasio Cetto, Manuel Estrella and Elias Puc, directed by Tamara Cubas and musical assistance of Francisco Lapetina sound. The work has created out in our country in an intensive process that precedes their debut in the room Zavala Muniz. Then the same company Yucatan on his return to Mexico, presented at various venues around the country.

The members of this young company in the city of Merida, Yucatan, are particularly interest in experimentation between body and sound in the scene, hence the integration thereof. In this work these aspects merge live on stage to open an experimental space to the viewer.

Functions: 27 and April 28, 1921 hs. Zavala Muniz Hall, Teatro Solis
Concept and direction: Tamara Cubas
creation and interpretation: Diana Bayardo, Gervacio Cetto, Manuel Estrella and Elias Puc. Assistance
Music and sound: Francisco Lapetina
Lighting Design: Leticia Skrycky

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expand information on the work

Plan Consistency with the support of the Department of Dance of Mexico and the Yucatan Cultural Institute.

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Round ...


ROUND OF POETS
*

sixth season readings, performances and recitals.
La Ronda Café, Citadel 1182 esq. maldondado.
THURSDAY / 21 - 24 HS.

this week: GUSTAVO GOMEZ, AGUSTIN LUCAS, NICO GUAZZONE

the poster did * nacho
SEIMANAS

GUSTAVO GOMEZ (montevideo, 1960)


NUMEN


I

Mar painter cool square. Mirror
memory (pot fragile
crowded between taverns).

water bodies: Purgatory. Drown

appeal, "old print?


II


Alchemy accomplice circumvents peat. Master
flamenco (small room) predicts
Watteau. Shake

stroke, smoke impossible.



Gen III

capricious, chance. End;

broken mirror, tempt mystery

rebuild a mirror. AGUSTIN

LUCAS (Montevideo, 1985)
common
wild (and urban), publishes "Not all fingers are grasping" (Pirates Publishing 2007), product of an excess of imagination strengthened in central windows of cafes, and subsided in 180 ramshackle way home. In 2009 leads "restless wanderer" Acuarela de Melo Radio City, which also involved with his poetry and his followers, among other things, the bus station and La Higuera de Juana. In 2010 Pisa Guatemala where rewrites his first book (to be published also in Mexico), Ati Book editions, Panajachel, Solola. Recently published "CLUB", by publisher YAUGURU, with photographs by Maria Noel Langone.

Excerpt from General without flowers "from the book" CLUB "

" Passerby walks, go, go, transient traded, sold, leaves, bell transient, transient delirium, stops, turns, goes, is transient, build, transient steals, he goes, creates transient, crying, cheating, passer loses, he wins, he will. General



Flores walked is resting, and further quieted the furniture and prices, and cooled further beds, seats, and lowered the stresses of holiday lights after seductive glass, tinkling, dry and free game Chinese shadows. "



NICO GUAZZONE
h (eu) 2006

storia montevideo, uy
rising crime crisis
2002
political right

TV

mass manipulation (eu)
when they stole my home in 2006, the few things I had and I had a difficult time together, my records, instruments and everything I loved, instead of going to blame and fall into a common place, TV, eleji MUTE respond with a song (the chamarrita of theft), which raises these questions: how to do this between us? How do we fix this between us?


the poster did * nacho
SEIMANAS
http://nachoseimanas.net

***************************** **************

coordinates: Martin BAREA MATTOS
www.youtube.com / bareamattos

sound: Fabrizio Rossi

supports: cultural Pence
www.cooltivarte.com

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Doublethink. Pablo Uribe

Thursday April 28, 1919 hs.

Pablo Uribe

Doublethink

Museo de Bellas Artes Juan Manuel Blanes

Millan 4015, 11700 Montevideo, Uruguay.

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Santiago Velazco: Hell Of Fame

Santiago Velazco: Hell Of Fame

Montevideo, 1976

Saturday

April 30, 2011, 12:30 hs.

to June 19, 2011.

Hell of fame is presented as a diffuse medium where looks are intertwined. Perspectives on the immediate environment but somehow reveal the inner eye. Velazco externalized the internal world of each character, causing fictionalized truths as a result of the accumulation of personal experiences. An imaginary meeting between himself and the iconic figure who is watching. Each piece works itself and gain strength together with the presence of dark bodies in scale accompanied by clouds of thought that, at times, create distortions in our reality. This time there are six icons that accompany us on a visit to Hell of fame, but it's only a matter of time before new members join on this journey of transfiguration.

Ana Ines Maiorano Marton.

Curator.

The Creative Universe

Pasionaria

Reconquista MVD 587 / Tel: (+598) 2915 68 52

www.lapasionaria.com.uy

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The man next door. Movies. ROUND OF POETS

activity are invited Outdoor cinema organized by the Dance Workshop (TZ), the Industrial Design Centre (CDI) and the Contemporary Art Space (EAC). Will be Tuesday April 12th at 19:30 at the Contemporary Art Space, Arenal Grande 1930. be issued The man next door , a film that tells a dispute between neighbors in Curuchet House, by Le Corbusier in La Plata, Argentina.

See more here.

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ROUND OF POETS

*

sixth season

readings, performances and recitals.

La Ronda Café, Citadel 1182 esq. maldondado.

THURSDAY / 21 - 24 HS.

this week: SANDRA MIGUEZ, Ma and VICTORIA GUTIERREZ LAURA PINTO

the poster did * jacqueline LACASA

SANDRA MIGUEZ (Montevideo, 1977)

The dawn

narrowed the sun

butterfly

to view

have to take a magnifying glass or die

dripping clocks

second syllable

holding the bones

about to order the guillotine

narrowed the sun

butterfly , now it

in the palm of the hand

in boxes collecting

suicide off the tunnels

time they charge me for your life and payment

silence

Ma LAURA PINTO

"... I was born and I can confirm every morning when I woke up. I grew up or rather was adding years to the ones that I have now. Not a few or many, I have. Meanwhile I set to give birth to two beautiful children, write stories in a book that few libraries have the folly of selling and planting more trees. Concentra my best to walk this path width and length of words as a child: innocent, fearless and awe. Most of the time may not succeed, but I try. I firmly believe that once written word is not mine, belongs to everyone and anyone. And that poetry is the journey not the destination. And those who walk with me. "

INDEC

"Do not call things by their names" (A. Pizarnik)

not say I love you but I need

I need air

I can not in my body

not find solace in the night I do not want

dawn.

not say it is impossible but that you are cowardly

and I am proud we do not want to hurt

maybe someday

may never, perhaps.

not say goodbye until

always

up

day from again until

until we were older until we

children.

Tensar waiting to limit

die we die in agony

not to name things by their names.

VICTORIA GUTIERREZ

http://www.youtube.com/watch?v=acjySbXbqLc

the poster did * jacqueline LACASA

"The Captive of good star "Jacqueline Lacasa.

photographic record, Adolfo Sarmiento.

Chart, Alejandro Albertti.

JL, an artist and curator.

was director of the National Museum of Visual Arts between 2006 and 2008.

* ******************************************

coordinates: Martin BAREA MATTOS

www.youtube.com / bareamattos

Sound

Fabrizio Rossi supports

: Pence

cultural

www.cooltivarte.com

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Lastreto

Wednesday, 13 April

SOA ART CAFE

Alberto Lastreto Chat

THE STRANGER IN CONTEMPORARY ART

considerations on contemporary art from artistic practice. What do we mean by contemporary art? "As we face the same?. in the photo's skull Diego Focaccia and Damian Hirst.

RSVP artcafe@soa.com.uy

TEL: 2410 9763

2046 Constituent Blanes corner.

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ANA Conference Talk Alberto TISCORNIA

Tuesday 12 April at 19:00

CULTURAL CENTER OF SPAIN

TISCORNIA ANA Conference

presentation of his recent curatorial project of historical memory "The war we have not seen" held at the Museum of Modern Art Bogota, Colombia. Gather the experiences of 35 former guerrillas, former paramilitaries and soldiers wounded in combat to life through their own artistic expression.

www.laguerraquenohemosvisto.com

corner corner Bartolomé Mitre 629

www.cce.org.uy

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MEETING OF MEXICO WITH JAVIER HINOJOSA

Monday April 11, 2011 at 19:00

Cultural Space of Mexico

MEETING OF MEXICO WITH JAVIER HINOJOSA

The Embassy of Mexico in Uruguay and the Center for Photography invites you to participate in the talk with the photographer Javier Hinojosa on Monday April 11 at 19 pm in the Cultural Space of Mexico (25 May 514) as part of the sample stations set out in the same space. Organizers: Embassy of Mexico and CMDF.

photographic production Hinojosa has focused over the past 30 years in the archaeological record and protected natural areas of Mexico. The quality and seriousness of their work have become a key author in his field in the Latin American community. Javier Hinojosa speaks from the silence, willfully ignores the words to generate dialogue and reflection. It focuses on the properties of photography to convey to the viewer and make him share in his particular journey. The technical management is at all times the service of speech. High photo contrast, compositions studied and

print especially careful, get to stop production and reflexionar.En us a moment in which contemporary communication is synonymous with aggression and everything is permeated by advertisements, Hinojosa intentionally departs of the aesthetics and proposes the opposite: that we stop and appreciate in detail the magnificence of nature and its fragility.

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Anacúmene

Thursday 14 April at 19:00

NATIONAL MUSEUM OF VISUAL ARTS

Opening Exhibition "Anacúmene" of

Alejandro Turell

Curator: Enrique Aguerre

"anecúmene is known as the land areas that were once ignored by a culture or, at present, where Man does not live permanently or procreate ... "Uruguay: Galapagos Art?. From the" land "come possible metaphors and simulations that challenge our system of symbolic coding and identity. From small private collections arranged in chambers of wonders to the complexity of the current museum. " Alejandro Turell (1975, Montevideo) studied at the Taller de Javier Nieves (1996-98) drawing and sculpture. In Workshop Lara (1998-01), drawing, painting and engraving. Mr. "Arts-Visual Arts, IENBA, where he also served UDELAR their teaching. He is currently Professor of Visual Communication at the School of Dramatic Art Montevideana, EMAD, IMM has participated in numerous solo and group exhibitions from 1997 to date in Argentina, Germany, USA, Uruguay and Poland. Received awards for his work in the 49 th Salon of Visual Arts, 2 nd Prize, MEC (2001), and 1 second prize in the 50 th National Exhibition of Visual Arts, MEC (2002), among others. In 2005 he was invited by the chair of Latin American Art at UCLA, USA. Get the DAAD Scholarship in 2008 where he teaches at the JW Goethe University in Frankfurt am Main, Germany. In 2010 he was part of Uruguay to send the Second Mediations Biennale, Poznan, Poland. Lives and works in Montevideo where generated projects involving art, science and Nature.

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Artigas Fictions Letters

Thursday 14 April at 19:00

NATIONAL MUSEUM OF VISUAL ARTS

Opening Exhibition "Ficciones Artigas" in
ALDO ALEJANDRA GONZÁLEZ AND SOCA Baroffio
Curator: Alfredo Torres

" When Baroffio Aldo Alejandra Gonzalez and decided to address this work on the figure of José Artigas , choose a word that will be key for all possible readings of the proposal: Fiction fiction comes from the Latin ...... fictio-onis, and refers to the action and effect of faking. It also means invention, whether it is undertaken with good or not so good. (...)" The purpose was to guide the work addressed the manner in which the heroes are often seen. Models, paradigms, ideals, figures that serve many different purposes and faces showing polymorphs. It was necessary to start from elementary lines. The deconstruction of the figures, monuments as possible to reconfigure and reinterpret the image of a hero from their molds of sculptures. Artigas (...) Not the huge sculpture inaccessible pedestal. Most important: no bronze or marble. Materials has dropped solemn and overwhelmingly cool. He is a hero coined in the rough simplicity of mud, in the fragility of the plaster. He is a hero just visible behind the veil of weakness, blurred by the choir who have sought cumulative perverse appropriation or lyric banal or kind, always insufficient. A hero brittle, rough and fragmentary poetics of absence that can only be filled from the emotional complicity. A hero is needed garrison from their desolate, hot, the simplest of pieces. "

Alfredo Torres

Alejandra Gonzalez Soca. Bachelor Visual Arts Workshop, fundamental Longing Hernández, UDELAR. Degree and Graduate in Psychology, UCU. He has participated in workshops and clinics linked to production contemporary projects, experimental film, and memory mediabiografía professionals Uruguay, Argentina, Chile, Spain and the United States. Designing works of visual art projects integrated into social programs in areas such as education, gender, inclusion. Since 1999 founding member and co-coordinator of the workshop space CasaBerro. Has exhibited in and outside the country and received several awards.

Baroffio Aldo. Born in Montevideo. Courses is a graduate of National School of Fine Arts, Faculty of Arts, UDELAR (Workshop Musso). He studied at the School History Humanities (UDELAR) and the Instituto de Profesores "Artigas". He studied political science at the Faculty of Social Sciences (UDELAR), photograph in the Foto Club Uruguayo, film and video with Professor Cesare Ferrari and silkscreen with Professor Oscar Ferrando.Realizó numerous solo and group exhibitions, among which are: Leviathan (Installation, Cultural Center of Spain, 2009), The Count of Count Orgaz was not (Toll Gallery, Montevideo, 2009), 53 selected for the National Award for Visual Arts (Montevideo, 2008), Ouroboros (Installation, Engelman Ost Collection , Montevideo 2008), "Tastes and Tongues" (Collective). Draft Antoni Miralda, Cultural Center of Spain Montevideo. Selected for traveling exhibition. 2007 Intervention in the Fishbowl (individual), Mars Up Market Gallery, Montevideo, 2007. Zaragoza Montevideo, Montevideo, Spaces of subversion (collective FAC), Zaragoza, Spain. 2006.

Giribaldi 2283 Thomas esq. Julio Herrera y Reissig
Parque Rodo - Montevideo - Uruguay
Tels: (598) 27116054 - 27116124 to 27116127

For more information: -

Comunicacion@MNAV.gub.uy

If in doubt, consult our website http://www.mnav.gub.uy

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Juan Angel Urruzola

Saturday April 9, 2011

Juan Angel Urruzola

Two letter published Thursday in SEARCH

enclose two letters with my children published on Thursday in search, since the beginning of this deplorable trial I kept quiet as my children, today we see that certain facts still absent in this whole process and now, physical aggression is added myself and my children epistolary aggression,

all this we decided to publish both letters,

thanks

Julia, Thomas and Juan Angel

can read both letters:

www.agendarteboletindigital.blogspot.com

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THURSDAY 14, 19 HS. TABLE OF DIALOGUE

PRINT CLUB

Héctor Contte, 1981

The researchers in this important book come together to present this work to rescue and reconstruct the history Print Club of Montevideo, and documents a part of the production of the 50 years of existence in Uruguay.

with texts by Gabriel Peluffo Linari (Blanes Museum Director), Olga Larnaudie (former Director of the MAPI / Museo de Arte Pre-Columbian and Native), Pablo Thiago Rocca (Figari Museum Director) and the editorial coordination of Ana Tiscornia.

the day of the presentation will be given the book resulting from this research.

MORE ABOUT EACH ACTIVITY BY PHONE 2915 2250 (Monday to Friday from 11:30 to 20 pm AND SATURDAY FROM 11:30 A 18 HS) IN WWW.CCE.ORG.UY O WRITING A

INFORMACION@CCE.ORG.UY

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PRINT CLUB Seminar "Strategic Planning in the cultural sector. Argentina. Melómanos

Dear friends,

We are pleased to report that registrations are now open for the Seminar "Strategic Planning in the cultural sector.
Deepening social transformation "to be held in Rosario (Argentina).

Training Program for the Development of the cultural sector.

enclose the information in this seminar as well as the application form for participation.

Download more information.

Download tab order.

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a round!

Melómanos
a round! Cheesecake Records in

Melómano Corner is a place where different musical selectors, musicians and DJs to showcase their tastes more personal and intimate. Brief

selections that are not guided by the pressure to turn a dance floor, if not for the love of music beyond genres, fashions or trends.

Bolivianimal In April, Ian Lampel, Sofi Casanova, and tinnitus have the jewels of their collections.
Va
Sunday from 20 to 22hs in Cheescake Records (Citadel esq. Canelones)

Music!

www.rincon-melomano.blogspot.com

-
\u0026lt;*++`:·.. __________________________________________________________

* * www.phonocake.org

ouzomusic.com

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Some image processing methods with application to film postproduction

  On Friday April 15 at 18:00 pm. will dictate the     

  conference * "Some   image processing methods with application to the post of 
   film * ". 
   
 
 
   The talk will be given by Dr. Marcelo Bertalmío, researcher 
   Universitat Pompeu Fabra in Barcelona, \u200b\u200band will be oriented to public 
   not specialized in relation to various problems of importance in the post   
   digital cinema and 3D movies, such as removing objects  , 
   acquisition and display of images of high dynamic range and transfer  pallets  
   color between sequences. They will offer a   overview of existing methods 
   in technical and scientific literature   to address these problems, 
 explaining the basics of operating  .    

  * E *    

  J. Herrera and Reissing 565, tel int 2.711.0974 100 - Room to be confirmed.  

  * Registration is free and should be done via web *:    

   http://iie.fing.edu.uy/ense/postgrado/inscripcion_curso_posgrado.php3     

  * Queries *:    

   juanc@fing.edu.uy   .  

  * More information *:    

   http://webiie.fing.edu.uy/departamentos/senales/gti/cursos/charla_bertalmio_2011       

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FLATE BITMONDO, EAC

Friday 8 , at 19:00 pm.
EAC / Contemporary Art Space
soundtoys [remixed] concert (i):
flatten & & bitmondo soundtoys remix anthology [1996-2008] Brian Mackern.

- - -
Friday April 8, 19:00 pm
Soundtoys [remixed] - Concert: FLATT


Hernan Gonzalez & Martin Craciun
www.flattenmusic.net

BITMONDO
Marcos Daniel Argente & Umpiérrez
www.bitmondo.com

- - -
waiting for you! :))

EAC / Contemporary Art Space and Miguelete
Arenal Grande
Montevideo - Uruguay.
http://www.eac.gub.uy/

+ info:
SoundToys / INTERFACES SONOROVISUALES
Brian Mackern (curatorial text "Platform Soundtoys 2006"):
http://www.facebook.com/no you. php? Note_id = 10150172856 629257

Everything you ever wanted to know about Soundtoys (but never dared to ask) / / Talk Brian Mackern
http://www.facebook.com/no you. php? Note_id = 10150171944 989257

Program Soundtoys Anthology [1996-2008] / EAC
http://www.facebook.com/al bum. php? Aid = 284412 & id = 6427 03719 & l = 572ee110f4

[!!]