By: BEATRIZ VANEGAS ATHIES
says Ciro Guerra, director of the Colombian film The Wind Journeys his work is "the story of a journey. A trip to the beginning, to the spirit, to our soul. " It is unquestionable that this is a journey into our soul, which is why the film is also
a song to his word. Because in the beginning of the beginning was the word without witnesses, no need for signatures on a letter. Word of cocker who call back Majagual, Sucre, his native population Ignacio Carrillo, the minstrel who crosses rivers, marshes, open roads between weeds, crops of millet, deserts, towns, reaching its destination in Taroa, back in the Alta Guajira. Ithaca
A journey that will be the fulfillment of a promise to return a legendary accordion to its owner. In essence, every trip is the fulfillment of a pact, an oath. Travel in store for those who make them, rewards to each step taken to reach completion. In The Wind Journeys learning will Fermin, the young man who decides to follow her teacher because any
and be acordeonero. And viewers also learn that Colombia is not only mischievous, mafia, murder. There are these one hundred and seventeen minutes filmic poetry in praise of being Colombian stern but generous. Ignacio is a gruff man but firm in his convictions and his journey along the viewer discover the wonderful landscape, but cruel that is sweetened with simple characters, willing to help without asking anything in return.
This is a worthy story, told with a camera that has a poet's eye that allows the viewer to a collection of magical moments in which the color is a party. The photography of Paulo Andres Perez and the soundtrack to Ivan "Tito" Ocampo, who rescues the substance of the vallenato-tell, for example, without the consent of the spoken word, ritual to enter the office of a drummer in a circle of light that filters through the trees, the struggle of the cattle herder and dairy songs through the plain all green, the noisy arrival in port, full of color and squalor, the silhouettes of master and disciple defeating sunrises , sunsets, sunsets. A celebration for the eyes and ears that generates nostalgia for those who are tattooed on the soul and skin that geography and those ways of living life, and awe, for who being Colombian, read the story of filmmaker cesarense Ciro Guerra, with glare of those who know the country they inhabit. Wind
trips bet him to poetry. And we know that poetry arises when there is honesty and visceral on who creates it. Therefore became part of the fifty films screened at Cannes 2009 in the section "Un Certain Regard." So you must live it to ratify the truth of Hölderlin: Where is a growing danger / salvation also grows.
says Ciro Guerra, director of the Colombian film The Wind Journeys his work is "the story of a journey. A trip to the beginning, to the spirit, to our soul. " It is unquestionable that this is a journey into our soul, which is why the film is also
a song to his word. Because in the beginning of the beginning was the word without witnesses, no need for signatures on a letter. Word of cocker who call back Majagual, Sucre, his native population Ignacio Carrillo, the minstrel who crosses rivers, marshes, open roads between weeds, crops of millet, deserts, towns, reaching its destination in Taroa, back in the Alta Guajira. Ithaca A journey that will be the fulfillment of a promise to return a legendary accordion to its owner. In essence, every trip is the fulfillment of a pact, an oath. Travel in store for those who make them, rewards to each step taken to reach completion. In The Wind Journeys learning will Fermin, the young man who decides to follow her teacher because any
and be acordeonero. And viewers also learn that Colombia is not only mischievous, mafia, murder. There are these one hundred and seventeen minutes filmic poetry in praise of being Colombian stern but generous. Ignacio is a gruff man but firm in his convictions and his journey along the viewer discover the wonderful landscape, but cruel that is sweetened with simple characters, willing to help without asking anything in return. This is a worthy story, told with a camera that has a poet's eye that allows the viewer to a collection of magical moments in which the color is a party. The photography of Paulo Andres Perez and the soundtrack to Ivan "Tito" Ocampo, who rescues the substance of the vallenato-tell, for example, without the consent of the spoken word, ritual to enter the office of a drummer in a circle of light that filters through the trees, the struggle of the cattle herder and dairy songs through the plain all green, the noisy arrival in port, full of color and squalor, the silhouettes of master and disciple defeating sunrises , sunsets, sunsets. A celebration for the eyes and ears that generates nostalgia for those who are tattooed on the soul and skin that geography and those ways of living life, and awe, for who being Colombian, read the story of filmmaker cesarense Ciro Guerra, with glare of those who know the country they inhabit. Wind
trips bet him to poetry. And we know that poetry arises when there is honesty and visceral on who creates it. Therefore became part of the fifty films screened at Cannes 2009 in the section "Un Certain Regard." So you must live it to ratify the truth of Hölderlin: Where is a growing danger / salvation also grows.
